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$In this project, I tackled a range of critical tasks: -I optimized, UV-mapped, textured, and rigorously rigged all the heavy machinery. -I meticulously crafted environment textures, encompassing the rugged beauty of grass, rocks, gravel, and glistening minerals. -I adeptly engineered vertex-painted master materials, orchestrating the smooth transition from rocky terrain to earthy soil, lush grass, and gritty gravel. This included populating the scene with fitting foliage. -I engineered a selection of liquid materials, each bearing its own unique refraction, adding captivating dynamics to the environment. -I spearheaded development and implementation of a modular spline-based tunnel system, complete with a comprehensive array of thoughtfully designed props. -I set dressed large segments of the level, infusing them with character and depth. The cinematic, mountain design, and lighting were masterfully executed by my colleague, Gilahd Yefet, playing a pivotal role in the project's success.$

Mine shaft

Erick RodriguezJuly 02, 2024

9

1

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$In this project, I tackled a range of critical tasks: -I optimized, UV-mapped, textured, and rigorously rigged all the heavy machinery. -I meticulously crafted environment textures, encompassing the rugged beauty of grass, rocks, gravel, and glistening minerals. -I adeptly engineered vertex-painted master materials, orchestrating the smooth transition from rocky terrain to earthy soil, lush grass, and gritty gravel. This included populating the scene with fitting foliage. -I engineered a selection of liquid materials, each bearing its own unique refraction, adding captivating dynamics to the environment. -I spearheaded development and implementation of a modular spline-based tunnel system, complete with a comprehensive array of thoughtfully designed props. -I set dressed large segments of the level, infusing them with character and depth. The cinematic, mountain design, and lighting were masterfully executed by my colleague, Gilahd Yefet, playing a pivotal role in the project's success.$

Mine shaft

Erick RodriguezJuly 02, 2024

8

1

0

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$In this project, I tackled a range of critical tasks: -I optimized, UV-mapped, textured, and rigorously rigged all the heavy machinery. -I meticulously crafted environment textures, encompassing the rugged beauty of grass, rocks, gravel, and glistening minerals. -I adeptly engineered vertex-painted master materials, orchestrating the smooth transition from rocky terrain to earthy soil, lush grass, and gritty gravel. This included populating the scene with fitting foliage. -I engineered a selection of liquid materials, each bearing its own unique refraction, adding captivating dynamics to the environment. -I spearheaded development and implementation of a modular spline-based tunnel system, complete with a comprehensive array of thoughtfully designed props. -I set dressed large segments of the level, infusing them with character and depth. The cinematic, mountain design, and lighting were masterfully executed by my colleague, Gilahd Yefet, playing a pivotal role in the project's success.$

Mine shaft

Erick RodriguezJuly 02

6

1

0

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$In this project, I tackled a range of critical tasks: -I optimized, UV-mapped, textured, and rigorously rigged all the heavy machinery. -I meticulously crafted environment textures, encompassing the rugged beauty of grass, rocks, gravel, and glistening minerals. -I adeptly engineered vertex-painted master materials, orchestrating the smooth transition from rocky terrain to earthy soil, lush grass, and gritty gravel. This included populating the scene with fitting foliage. -I engineered a selection of liquid materials, each bearing its own unique refraction, adding captivating dynamics to the environment. -I spearheaded development and implementation of a modular spline-based tunnel system, complete with a comprehensive array of thoughtfully designed props. -I set dressed large segments of the level, infusing them with character and depth. The cinematic, mountain design, and lighting were masterfully executed by my colleague, Gilahd Yefet, playing a pivotal role in the project's success.$

Mine shaft

Erick RodriguezJuly 02

8

1

0

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House TO is an architectural marvel designed by Ludwig Godefroy, blending tropical modernism with brutalist architecture. Located near Puerto Escondido, Mexico, this boutique hotel offers a serene retreat inspired by Oaxacan temples, emphasizing raw concrete surfaces, lush vegetation, and minimalist design.

House TO

FaathirJuly 02

11

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House TO is an architectural marvel designed by Ludwig Godefroy, blending tropical modernism with brutalist architecture. Located near Puerto Escondido, Mexico, this boutique hotel offers a serene retreat inspired by Oaxacan temples, emphasizing raw concrete surfaces, lush vegetation, and minimalist design.

House TO

FaathirJuly 02

7

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Design ideas for June 2024

Design idea

Eugene H.July 02, 2024

10

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Design ideas for June 2024

Design idea

Eugene HuliakevichJuly 02

8

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Design ideas for June 2024

Clay render

Eugene HuliakevichJuly 02

8

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Design ideas for June 2024

Design idea

Eugene H.July 02

10

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Design ideas for June 2024

Clay render

Eugene H.July 02, 2024

10

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eyeview of residence (after)

alif zabawiJuly 02, 2024

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Convension Hall

alif zabawiJuly 02

7

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Convension Hall

alif zabawiJuly 02

7

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Curch on small vilage

alif zabawiJuly 02, 2024

9

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Store House Buildings

alif zabawiJuly 02

6

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A25 Tower

Visualization by Tangerine

A25 Tower

Tangerine AgencyJuly 02

20

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Children´s School project in Como, Italy.

Children´s School

Alonso GarridoJuly 02

6

2

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Children´s School project in Como, Italy.

Children´s School

Alonso GarridoJuly 02

7

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Architect & CGI : Stefan Stankovic
Modeling : 3ds max 2024
Render : Corona renderer 11
Post Production : Adobe Photoshop CC 2022
Nis, Serbia

Dusty apt_1

rokaarhJuly 02

10

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